Numerous narratives and concepts may revolve around the work, like a satellite orbiting a celestial body. “I don’t think that the appearance of the work and the concepts and narratives of the artist need to meet or coincide at one point like in general contemporary art. The artist hopes that his work will become a lens that shows the audience a new world and allows them to imagine. It is in this context that Vikram Sarabai (1919-1971), a scientist who led the space development in India, gave a lecture introducing the exchanges with Western modernist artists such as Le Corbusier and John Cage to coincide with this exhibition. In particular, he researched and investigated the exchanges between India and the West, a neighboring country under British rule. Like the meeting of aliens and earthlings, it is his interest that different cultures meet and become new variations. As a result of the investigation, the writer developed a deep suspicion that the unrealized scenario of Indian director Ray may have influenced Spielberg in the process of promoting film production in Hollywood. In Hollywood science fiction (sci-fi) movies, hostile aliens were typical of the Cold War era in the 1950s and 1960s, but friend-like aliens appeared in Spielberg’s ‘Encounter with the Unknown’ (1977) and ‘ET’.
#ABSTRUCTION BOOK BY SATYAJIT RAY MOVIE#
The writer, born in West Berlin, Germany, said that the first American movie he saw in theaters when he was 14 was Steven Spielberg’s ‘ET’ (1982). The round pieces of glass are like a miniature universe, and they look like the eyes or eggs of an alien ET with a big face. It has revived the cultural heritage of mankind for thousands of years, such as silk and glass, and made it into modern art. The three-dimensional glass work that follows the silk abstraction was made in collaboration with craftsmen in southern Germany who have been using glass making techniques for thousands of years since Roman times. “The painting that failed to paint the rainbow became a new work that showed various methods and elements, and I wanted to give a new perception to the modern world in a traditional way.”
“I think painting is a kind of searching,” the artist said. In the process of mixing several colors, even a slightly darkened piece of art shines brightly underneath. The silk abstract, which he started in 2008, goes through a process of drying with steam when dyeing or spraying, so that the material and silk fabric become one.
It is a phenomenon that humans cannot do at will. It is a phenomenon that cannot be captured, disappears when you stretch out your arm when you see it, and disappears when you try to catch it. The artist said this about the beautiful silk abstract series. Growing up in a bilingual environment from an early age, thanks to her Finnish mother and German father, has also influenced her lifelong work. The artist, who reveals cultural and linguistic links to the world of his work, is said to have intended to evoke Korean ‘beads’. The title of the exhibition was made like a language game by combining the Finnish word ‘kuu’ meaning moon and the Latin word ‘sol’ meaning sun. Cosmic imagination is realized in flat and three-dimensional form.Īt Gallery Hyundai in Sogyeok-dong, Seoul, German artist Marty Braun (52) welcomes visitors with the warm and bright light emitted by more than 50 representative works from ‘Ku Sol’, Asia’s first solo exhibition. In front of him, mysterious and dazzling glass beads were laid out in a modest manner. The iridescent spectrum unfolds in a silky abstraction that shines very delicately and softly. It would be nice to be a being who comes with such a warm light.
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